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Saturday, 22 February 2014

Eric's Secrets


The first thing we notice about the documentary is that it is a portrait film about the life of the subject matter Eric. Eric in terms of narrative art tells us what sort of person Eric is and pulls us into his life story also reflecting someone with knowledge and by using still images (like the one above) that have either been filmed or just put in like a jpeg while editing reflects the history of his life. This becomes significant as they bring people to life such as his wife. Although she isn't alive anymore the audience can relate to the photographs Eric has of her and himself and almost acts as a character within the documentary. The soundtrack helps emphasize this point with a ambient sentimental type tone. 

What I like about the documentary is how they used the photos (shown above) to emphasize meaning as well as cutting back to the interview set ups of Eric so the audience is taken from current time with the interview with Eric to the past and history of his life. The interviews are set up with Eric as the main subject matter with himself in his most comfortable state in his house. What I also really like about it is the way it starts. It doesn't jump straight in to his life's history, instead it is a recording of Eric just being himself talking to the interviewer. He talks about his dinner and his joy of cooking. Not only does this give the audience a sense of what type or person he is but it allows them to relate to him. The with the still images it explains his past and history. With my documentary I would like to shoot JPEG images as well as film as this could give another dimension to it showing what the people we interview have done in the past as well as photos of the street art could give a strong impact upon the audience as a whole.      

Skateistan: To Live and Skate Kabul



The short Documentary (Skateistan: To Live and Skate Kabul) explores the lives of children in Kabul that through all the poverty and violence associated with war around the city a simple activity like skateboarding can bring happiness and a brighter future for the lives of the children. Interviews with the children expresses real emotion to the audience and as a whole, the documentary gives a sense of the eastern culture mixing with the western. People can really relate to this as its something the audience quite possibly sees everyday. The mix of the poverty of war and the calmness of skateboard related activity is really what gives this documentary such power and emotional impact. The documentary is also a campaigning film which promotes the work of a charity from and alternative view point.

The way the documentary is shot is what I was really interested in. Now I know what idea we are going with for the Liverpool documentary I wanted to find a piece that would give me an idea of an urban feel to the piece. 'Skateistan' really shows the stylistic elements well such as going from close up shots to extreme wide angles of the derelict city. Nearly every shot I can see has been thought about in great detail, from the framing of the shot in cinematography to how the shot will be delivered to the audience wither it be a tracking, zoom, focus pull or static close/mid/long shot. The shot above I chose as these are the types of shot I want to get when in Liverpool. The reason being that the background is really detailed as well as a mid shot tracking the foreground subject matters in focus, the city to the right shows the poverty of the piece but the subject matters are showing the audience why they are happy doing the activity. Set ups like this will give a really urban street view of the whole documentary and could change the audiences perception of the piece.






Influences and Ideas about camera Work from Documentaries Studied and Found

Over the course of the week I have looked at a few influences and pieces to get a feel for the street art idea we are now doing. From the lecture two documentaries have come up that I really want to explore due to the stylistic elements really being what myself as the camera operator and having spoken with the director what we both want it to look like. These were...

Skateistan: To Live and Skate Kabul
D-Orlando Von Einsiedek / 2010 / 10''
http://vimeo.com/15841377
http://www.youtube.com/watch?v=yGoRXuHiVFo

and

Eric's Secrets
D: Lucia Ashmore / 3''
http://www.4docs.org.uk/films/show/4/Erics+Secrets
http://vimeo.com/5143120

Having been given these I wanted to watch a few more documentaries that would really give me a clear idea of the type of camera work and stylistic elements I could put into our own documentary. I wanted to focus particularly on the set ups of the interviews as well as the cinematography of the shots throughout some documentaries. I ended up finding two that really helped me and these were...

The Bridge
Eric Steel / 90'' / 2006
https://www2.netflix.com/WiMovie/The_Bridge/70059028?sod=search-autocomplete

and

X Games: The Movie
Steve Lawrence / 91'' / 2009
https://www2.netflix.com/WiMovie/X_Games_The_Movie/70124926?sod=search-autocomplete
 






Feedback From The Pitches

Feedback and Group Meeting After

Overall the lectures thought both of the ideas were strong and that both had met the brief as well as agreeing that the job roles set were good and that we could work well as a team together. Both chose the record idea over the graffiti idea for the main reason that they thought the narrative was a lot more structured and that graffiti had been done in documentaries before, the problem they had with the record idea however was that there was no physical place to film and would have to find objects and interesting off shots that would relate to the story. However everyone in the class thought otherwise and preferred the creativeness of the graffiti idea. Having taken on board the lectures comments it was clear that have we work quickly on the structure of the graffiti idea and choose a definite path to follow it could be successful.

 The main narrative we had for the graffiti idea was about... 'Is it art, or is it vandalism'?, the lectures did think this had been covered so having met with the group after we decided to go down the path of more a celebration of street art in Liverpool.

Friday, 14 February 2014

The Next Few Meetings

Meeting's Before The Pitch



The contacts that the Producer had got hold of had both got back to us with was hugely positive for the group, it meant we had two strong ideas and had contacts for both. The message we had from the producer on-line was this about the record shop idea...

'OK so basically the guy just rang me back (he's called Spike,he is the one responsible for the selling of the records on ebay). He said that he is a little bit reluctant because he doesn't like publicity that much, however he says what he is saying is that he is in principle agreeing to be involved with our film - there are a few issues, such as the records are being sold tomorrow so they're not physically going to be there to film (but as we were saying yesterday, the emptiness/lack of items anymore could be beneficial to our idea anyway) and the store is now taken over and the locks have been changed - he said we could arrange a location nearer the time. He said that he is interested and to meet with you all today to discuss some questions to ask him and get them emailed over, as well as an outline of exactly what we'd like to focus on as an angle - as in are we focusing on what it means for the Liverpool music scene, or the history of the store - just a clear idea that I can put into a treatment and send over to him tonight. He also said that for Record Store Day, they have held a few items aside to sell at a pop up record store at a cinema related place in Liverpool - and that if our film was made successfully they could show it there for us.'

This was positive as it meant that Spike from the record shop was really interested in the project as a whole.
The day after we also received a message from Zap Graffiti and then over the week Tristan who we had contacted again both interested in the idea and project as a whole.

Over the course of the next few meetings we gathered together our notes and starting making the power point presentation pitches that we would then be able to present to the class for them to decide what idea we should go for both of the pitches for each of the ideas are shown below. Two treatments were also made, one for each of the ideas as shown below which are the originals. I will also be doing a write up of the treatment of the idea that is chosen with notes on camera angles and ideas of cinematography after the pitch.


Record Shop Idea (Change the Record) pitch presentation
Change The Record

Synopsis- The documentary will follow the story of the iconic Vinyl Emporium store in Liverpool which is currently in the news as it has recently closed down in the last year and has in the last few weeks sold it’s entire stock collection of 15,000 records via means of the internet i.e. Ebay.

How will the Story Unfold?- The documentary will follow the story of the iconic Vinyl Emporium store in Liverpool which is currently in the news as it has recently closed down in the last year and has in the last few weeks sold it’s entire stock collection of 15,000 records via means of the internet i.e. Ebay. 

Key Characters- The documentary will follow the story of the iconic Vinyl Emporium store in Liverpool which is currently in the news as it has recently closed down in the last year and has in the last few weeks sold it’s entire stock collection of 15,000 records via means of the internet i.e. Ebay.

Themes & Subject Matter-
• Advance in technology.
• Uncertainty of the future for independent stores.
• The movement into a digital age of shopping.
• The lost art form of records.
• Exploration of the independent music scene in Liverpool.
• Slow moving camera work.
• Interviews; Low Key Lighting. 


Style & Technique-
• Cinematic Style.
• Shots of record player, closed in on slowly alongside sound bites captured from interviews.

Inspirations & Influences-
• The Archive (2008) Dir. Sean Dunne
• Side by Side (2012) Dir. Christopher Kenneally




                                                Street Art Idea (City Canvas) Pitch Presentation 


City Canvas

Synopsis- City Canvas is a short documentary, which focuses on people perceptions on street art/graffiti. While some people see it as art and a way to express them selves, others see it as kindless act of vandalism. The documentary hopes to delve into the unknown world of Liverpool street art and tackle peoples perception of the art form.
How will the story unfold?- We will be following Kieron from Zap Graffiti around a few key Liverpool streets as he shares his story and opinion on misconceptions about street art, while showing us the street art various artists have created.
At the end we will reveal how he has channelled this art form into a profession and is now spreading his knowledge amongst young people from the area.

Key Characters- Kieron at Zap Graffiti- Owner of the Liverpool based organisation that promotes street art positively through workshops. He has agreed for an interview and to show us around the street art in Liverpool and his studio, which he's given us access to.
“Promoting graffiti as a positive art form across the UK since 1995”

Themes & Subject Matter-
•Celebration vs demonisation of street art -Personal experiences of street artists
•Transformation of the perception of street art from petty vandalism to a recognised art form
•Thoughts and opinions of the public - Challenging perceptions

Style & Technique-
•Modern 'urban' style; contemporary to fit with a current subject matter.
•Experiment with camera work, montages, tracking shots, fish eye lens
•Make use of the studio space available to us; freedom to explore creativity within this on the day.

Inspirations & Influences-
•Exit Through The Gift Shop (2010) Dir. Banksy
•Skateistan: To Live and Skate Kabul (2010) Dir. Orlando von Einsiedel 





Finished Treatment for Change the Record Idea 

Change The Record is a 5 minute investigative documentary following the story of one of Liverpool’s most iconic record stores, The Vinyl Emporium, which after having been closed down for almost a year has recently sold it’s entire collection on EBay.  With the store being well recognised as one of the key locations that brought the independent music scene to Liverpool, the documentary will delve into the highs and lows of this one Liverpool story, and will explore the reasons behind the store selling it’s entire stock in one load on eBay in February 2014. Through telling the tale of this one store’s journey from high street to online, it will investigate where the future lies for independent retailers now that we live in a digital age.

The documentary’s opening will focus on introducing Liverpool as a city of music and the story of the Vinyl Emporium through showing the Bold Street location where it once stood. Vox pop interviews will be held with the public directly outside where the store stood, aiming to discover local people’s memories of the store and how they feel now that it no longer exists. The interviews will also explore people’s personal preferences on shopping; whether they enjoy their high street shopping experience and how they feel about stores like this selling valuable collections via the internet.

Interviews will be main driving force of the documentary, including those with the owner of the Music Consortium (and once of the Vinyl Emporium), as well as  local Liverpool musicians. Stock footage and our own captured footage showing the contrast between what was once there and what remains today. A series of updated images as the bid for the collection progressed, will be used to tell the story here alongside voiceover narration.



The range of interviewees will enable the film to capture a variety of experiences and explore memories and opinions on a personal basis, as well as on the larger scale of what this meant for the Liverpool independent music scene. The documentary will question the impact the store has left on Liverpool and will discover the reasons behind selling the whole stock in one large collection on eBay specifically. The story has recently been covered across social media networks and local Liverpool newspapers, however telling the story through film as opposed to print based media will capture a sense of the place as well as a first hand account of the story.




Finished Treatment for City Canvas Idea

City Canvas is a short documentary, which focuses on people perceptions on street art/graffiti. While some people see it as art and a way to express them selves, others see it as kindles acts of vandalism. The documentary hopes to delve into the unknown world of a Liverpool street art and tackle people's perception of the art form.

Liverpool, the former Capital Of Culture, is renowned for its street art. Even the most prolific artists like Bansky and Sick Boi have been said to use the city of Liverpool as they canvas.  Our documentary intends to guide the viewer around Liverpool street art and challenging misconceptions as the story progresses.

The film will start off with a montage of graffiti, from the sublime works of Bansky and other talented street artist, to the ridiculous works of vandals. The intro will showcase both sides of graffiti, the good and bad in a certain extent.   While the montage plays through, as well as an upbeat sound track we will have the thoughts and opinions of local residents to see what they think. Is it art or is it vandalism?  We intend to set up a vox pop interview style in the location where Bansky iconic Rat portrait once stood. This was classed as one of Liverpool's famous landmarks.

The documentary then slightly shifts focus, as we delve deeper into the unknown. We follow Kieron from local organization Zap Graffiti for the day as he shares the difficulties he has faced in expressing his emotion and artist flare through this art form.  As well as been quite a stylistic and modern film will also be quite personal as we get a real insight to the man's life and the troubles he has faced. Although after endless phone calls and emails sent to numerous street artists it’s hard to find someone who is willing to share their story. At this moment in time no one has got back to us.

When researching we came across a business called Zap Graffiti who run events to promote graffiti as a positive art form. Each weekend they run workshops in Liverpool to help develop the skills of upcoming graffiti artist.  The story of Zap Graffiti will be a great way to carry our documentary as it shows the positive side of street art, instead of vandalism the street artist have a place to go to express them selves.  Even local business are getting on board and hiring people from Zap Graffiti to design window displays. Although seen as a positive is this company just producing the next wave of vandals or the next wave of artist?

 The target audience for the documentary will be primarily people aged 15-36 since this is the most likely range of people that will relate to the subject matter and theme of the film. 

Meeting 2





By the time we had our second meeting we had come up with 4 rough ideas and 2 out of the 4 that we liked better, the first idea was found by Hannah looking at a story I think she had read in the Liverpool echo about a local record store called 'The Vinyl Emporium' previously known as 'Hairy Records which had closed down as a record store but was still tying to sell its 15,000 records left over on the internet website ebay. We decided as a group that this would be a path for us to take and that our producer (Hannah) would try to get in contact with the store. 

http://www.liverpoolecho.co.uk/news/liverpool-news/liverpool-record-shop-music-consortium-6647913

We wanted to document how the store has gone from high street to the internet and through interviews explain some of the stores history from its peak to where it stands now. 

The second idea that we had was the one myself and Oliver had from before the group was made, we just had to make it relevant to Liverpool so the main focus we decided to aim for was to celebrate modern street art in Liverpool and though gaining interviews with street artist and companies get their opinions and views upon the street scene. Again the producer Hannah would look for contacts but as a group we all helped gain the numbers of certain graffiti and street art companies that may have been good to get people to interview from. We ended up finding ZAP Graffiti, a artist called Tristan Jacobs who also knew an incredible amount of information on the local street scene and the artists themselves, and finally we found the contact of pavement artists company Urban Canvas. 

http://zapgraffiti.wordpress.com

http://www.urbancanvas.co.uk/Home.html

Our other 2 ideas were those of pigeons and the growing population and also transport in and around the Liverpool city area. The two above however we thought as a group were stronger and could contain a lot more narrative and structure for the audience to understand.

TASK 2 DOCUMENTARY PROJECT PORTFOLIO

The Brief for this project is to create a 5 minute Documentary film on the theme of Liverpool Stories. We will work in groups of 6 and will each decide a specific role to take up and document upon throughout the trip to Liverpool and the production of our own documentaries. I will research into documentaries that we have watched in our seminars as well as taking inspiration from others I have researched and watched myself to help with my job role and get a better vision of how I will accomplish my job role successfully when it comes to my own production. 

The group was made as myself and Oliver Guy had been thinking about the ideas for the project at the start of the semester and Hannah Grencis had also been talking to us about it and joining our group. The other three people were found by people the other three of us had wanted to work with so thought we would work well together as a group (Alex Potter, Saul Allerton, Noah Chebouli). As a group we then decided that we would set up a chat on-line to keep up to date with the ideas and contacts we were gaining and also so we could see the progress of the project. We then decided that as there were 2 weeks to go till the Liverpool trip we would meet as a team everyday or at least every other day to see our progress and so that every member of the group knew the progress of the project.

In our first meeting we decided job roles for each member of the group and are as follows...
Producer - Hannah Grencis
Director - Noah Chebouli
Camera - Alex Kentfield
Editor - Saul Allerton
Sound Recordist - Alex Potter
Sound Editor - Oliver Guy

I was really happy with being dedicated the role of camera as I believe this is my strongest asset and can express my creative input as well as technically being able to showcase my skills. I like camera because I like picturing shots and thinking of creative angles that I can make while filming. I will also be able to work close alongside the director (Noah) to create a real feel for the project and a certain style.