Logging Sheets Of All Shots In Liverpool

SHOT NUMBER	DURATION	LOCATION	SHOT TYPE	DESCRIPTION OF SHOT
01	00:00:08	City Center	Mid Shot	Pans from left to right, handheld, deep focus.
02	00:00:16	Outskirts Liverpool	Long Shot	Static wide angle / long shot with deep depth of field.
03	00:00:07	Outskirts Liverpool	Close Up	Focus pull from deep focus to shallow focus, close up.
04	00:00:24	Outskirts Liverpool	Mid Shot	Mid Shot of wall, static camera, deep focus on wall.
05	00:00:14	Outskirts Liverpool	Mid Shot	Focus pull from out to in, subject matter on wall, Static camera.
06	00:00:15	Outskirts Liverpool	Mid shot	Tracks from right to left with focus on wall, small focus pull at the end when track goes round the corner.
07	00:00:18	Outskirts Liverpool	Mid shot	Tracks from right to left with focus on wall, small focus pull at the end when track goes round the corner.
08	00:00:09	Outskirts Liverpool	Long Shot	Tracks from right to left with focus on wall, small focus pull at the end when track goes round the corner.
09	00:00:11	Outskirts Liverpool	Close up / Mid Shot	Handheld pan from left to right, Close up on wall with shallow focus and moves to deep focus mid shot.
10	00:00:07	Outskirts Liverpool	Close up / Mid Shot	Handheld Track upwards from bottom of wall to middle, Focus shallow on wall with soft background.
11	00:00:15	Behind Mann Street	Long Shot	Tracks from left to right with focus on wall. Deep Focus.
12	00:00:18	Behind Mann Street	Long Shot	Static wide angle / long shot with deep depth of field.
13	00:00:20	Behind Mann Street	Mid Shot	Static wide angle / long shot with deep depth of field.
14	00:00:06	Behind Mann Street	Close Up	Handheld focus pull close up on the wall, shallow to deep.
15	00:00:09	Behind Mann Street	Close Up	Handheld focus pull close up on the wall, shallow to deep.
16	00:00:07	Behind Mann Street	Close up	Handheld focus pull close up on the wall, shallow to deep.
17	00:00:28	Mann Street	Long Shot	Tracks down the alley with deep focus, from back to front.
18	00:00:15	Mann Street	Long Shot	Tracks across left side wall with deep focus.
19	00:00:17	Mann Street	Long Shot	Tracks across left side wall with deep focus.
20	00:00:29	Mann Street	Long Shot	Tracks across left side wall with deep focus and a slight pan following the motion of the tracking.
21	00:00:23	Mann Street	Long Shot	Tracks across right side wall with deep focus and a slight pan following the motion of the tracking.
22	00:00:22	Mann Street	Long Shot	Tracks across right side wall with deep focus.
23	00:00:09	Mann Street	Close up / Mid Shot	Handheld tracking shot fairly close to the wall, walking alongside and changing focus.
24	00:00:13	Mann Street	Close up / Mid Shot	Handheld tracking shot fairly close to the wall, walking alongside and changing focus.
25	00:00:12	Mann Street	Close up / Mid Shot	Handheld tracking shot fairly close to the wall, walking alongside and changing focus.
26	00:00:05	Mann Street	Close up / Mid Shot	Handheld tracking shot fairly close to the wall, walking alongside and changing focus.
27	00:00:18	Mann Street	Close up / Mid Shot	Pan from left to right across left side wall, Deep focus.
28	00:00:23	Mann Street	Mid Shot	Pan from right to left across left side wall, Deep focus.
29	00:00:10	Mann Street	Close Up	Pull focus of the ditch from the walls then focusing on the spray canisters, Handheld shot.
30	00:00:28	City Center	Long Shot	From the street looking up at the art, Static camera tripod long shot deep focus.
31	00:00:31	City Center	Long Shot	From the street looking up at the art, Static camera tripod long shot deep focus.
32	00:00:14	Stab Alley	Long shot	Static wide angle / long shot with deep depth of field.
33	00:00:19	Stab Alley	Long shot	Tracks from left to right with focus on wall. Deep Focus.
34	00:00:10	Stab Alley	Close Up	Handheld camera shot with focus on wall close up, moving and tracking from left to right on wall.
35	00:00:07	Stab Alley	Close Up	Handheld camera shot with focus on left wall close up, moving and tracking from left to right on wall.
36	00:00:05	Stab Alley	Close Up	Handheld camera shot with focus on right wall close up, moving and tracking from right to left across wall.
37	00:00:12	Stab Alley	Mid Shot	Freehand shot panning from right to left with focus on foreground wall.
38	00:00:15	Stab Alley	Mid Shot	Handheld tracking shot fairly close to the wall, walking alongside and changing focus.
39	00:00:10	Stab Alley	Close Up	Handheld tracking shot fairly close to the wall, walking alongside and changing focus.
40	00:00:06	Stab Alley	Close Up	Freehand shot panning from right to left with focus on foreground wall.
41	00:00:23	Stab Alley	Long Shot	Static wide angle / long shot with deep depth of field.
42	00:00:06	Stab Alley	Close Up	Freehand shot panning from right to left with focus on foreground wall.
43	00:00:09	Stab Alley	Close Up	Freehand shot panning from right to left with focus on foreground wall.
44	00:00:08	Stab Alley	Close Up	Handheld focus pull close up on the wall, shallow to deep.
45	00:05:35	Hostel Interview Set Up	Mid Shot	Mid Shot, head and shoulder of subject matter and in focus to the right with background to the left and some headspace. Static Camera setup
46	00:03:40	Hostel Interview Set Up	Mid Shot	Mid Shot, head and shoulder of subject matter and in focus to the right with background to the left and some headspace. Static Camera setup
47	00:05:11	Outskirts Interview Set Up	Mid Shot	Mid shot with wall positioned behind subject matter, deep focus with both subject matter and background in focus. Static camera.
48	00:01:11	Outskirts Interview Set Up	Mid Shot	Mid shot with wall positioned behind subject matter, deep focus with both subject matter and background in focus. Static camera.
49	00:04:04	Mann Street Interview set up	Mid shot / Long Shot	Longer Mid shot of Tristan. Show more of the art around him as well as keeping him the main subject matter. Static Camera Setup. Will be a different set up to the first shot with different art behind him.
50	00:03:21	Mann Street Interview set up	Mid shot / Long Shot	Longer Mid shot of Tristan. Show more of the art around him as well as keeping him the main subject matter. Static Camera Setup. Will be a different set up to the first shot with different art behind him. Zoom in on the stuffed toys half way through while Tristan was still talking and by the end zoomed out again.
51	00:02:05	Mann Street Interview set up	Mid Shot	Longer Mid shot of Tristan. Static Camera Setup. Will be a different set up to the first shot with same art behind him.
52	00:02:53	Tomo Workshop Interview Set Up	Mid Shot	Close up shot of Tomo's head and shoulder looking down on him with his hood up keeping his identity hidden. Subject matter right, static camera.
53	00:00:04	Tomo Workshop	Mid Shot	Static handheld shot of a piece of Tomo's work.
54	00:00:04	Skate park	Long Shot	Static shot of the graffiti, Focus is deep.
55	00:00:10	Skate park	Long Shot	Static shot of the graffiti, Focus is deep. Fence is in foreground out of focus.
56	00:00:37	Skate park	Long Shot	Tracks from left to right, background in deep focus, foreground out of focus.  Long shot.
57	00:00:25	Skate park	Long Shot	Tracks from left to right, background in deep focus, foreground out of focus.  Long shot.
58	00:00:56	Skate park	Long Shot	Tracks from right to left as well as panning left when at the end of the tracks, background in deep focus, foreground out of focus.  Long shot.
59	00:00:15	Skate park	Long Shot	Focus pull from deep to shallow, background comes into focus. Slow long shot static camera.
60	00:00:18	Skate park	Mid Shot	Focus pull from deep to shallow, background comes into focus. Slow long shot static camera.
61	00:00:11	Skate park	Close Up	Close up hand held camera of wall tracking from left to right. Foreground in focus.
62	00:00:10	Skate park	Close Up	Close up hand held camera of wall tracking from left to right. Foreground in focus.

Main Subjects and Questions We Asked in the Interviews

1.  Why do you think artists choose the streets over creating artwork indoors? 

2. Can you tell us a bit about why you think street art should be celebrated instead of looked down on or ignored?

3. How does street art differ from other forms of art? ... Is it part of a wider community that brings people together?

4. What are your views on street art as a form of expressionism? (Mention misconceptions about street art and personal views on this). 

5. What does your organization do?

6. What is the danger of expressing street art?

Liverpool Day 3

The last day of Liverpool and again after the previous nights meeting split up into the same two groups. This was to get a wider range of footage from different locations. We went to the skatepark that we had seen when walking with Tristan from his interview and it looked quite a nice place to film with interesting street art. The tracking shots looked a lot nicer than those of previous days as the ground was a lot smoother meaning less jolts in the camera. Having collected a wide range of close up shot as well as wide and expansive long shots we arranged to meet up for our final interview with Zap Graffiti company and we would become a group of 6 again meeting Oliver and Saul near the location.

The final interview we set up in the studio of the company while artists were at their work. Keiron had arranged to be interviewed so having set the camera up he wanted to stand. The problem with this interview is that he liked to move around on the spot a lot. So when wetting up a static mid shot of his head and shoulders he would then move out of frame so we decided to just pan with him as he spoke. This meant he was always in frame and we didn't miss any of the interview.

As you can see in the photo below we have our title (City Canvas) sprayed onto the wall of the studio. Hannah had asked local artist Zener to do this for us so we could use it as a opening title sequence. I decided to film it from dead on as he did it as once again he didn't want his face shown. He put his hood up and walked in from frame left so his back was to the camera. After the title was finished he then walked of again frame left from where he came giving us the opening titles.  

Day 2 Liverpool

The second day we had planned to film a interview in the Hostel as well as meet Tristan for a interview. The first interview as we had only the location of the Hostel I wanted to find a back drop nice looking but also reflect-ant of the idea and approach we were trying to achieve. I found a board that was used to block off a pathway in the Hostel that was arty and could be placed behind the subject matter. I moved it into the room we had booked out and set up the camera a distance so that the subject matter would be in shot with a head and shoulders mid shot. I asked Hannah if she would sit in the chair so I could adjust the camera settings. I changed the white balance as well as the ISO light. Made sure that the camera was filming in 24fps and had a shutter speed of 50. 

The interviewies then arrived and both interviews were recorded with the subject matter right of frame with the interviewer close to the camera but behind and to my left while I sat down and recorded them. The backdrop was to the left of the subject matter. 

We then moved on to our second interview of the day meeting Tristan in a place called unit 52. He then walked us to where we had been filming the previous day in Mann street. Again we set up the interview with the tripod as close to eye level of the subject matter. I had also framed Tristan against the street art backdrop and once again it was to the left of the subject matter. I did leave some head space but only a little. It was also hard to frame it due to his hat and the way he was standing but he didn't move which was helpful in the end as the framing eventually was sorted. The second interview location with Tristan was again a standard camera set up with him this time a little more central but to the right center. This gave the backdrop a bigger emphasise on the place and really showed the audience the type of place we were in. To show greater emphasise on this I shot it more of a long shot so you could see the waist area of the subject matter. Again the interview went smoothly with the camera static and recording the whole interview with no problems. 

Having spoken to the woman by the art the previous day the contact we had rang us up and said he was available for the interview then and there. So when finishing up with the Tristan interview as a group we then walked down the road to Tomo's workshop to gain a interview with local street artist 'Tomo'. Setting up the interview as hard on this 1 as it took a lot of time to think about. He didn't want his face to be shown so I took the decision to film it from a high angle down onto his head and he was wearing a hooded coat so he put it up and looked down at the floor. I still put the subject matter to the right of the frame when he was talking and now I was inside changed the ISO and white balance settings up atone to adjust for the light, then Hannah asked the questions to Tomo while I recorded them with sound recordist Alex gaining the interviews sound. The interview was short but snappy and when it was over Tomo showed us some of his work within the workshop which we were about to get some quite nice footage of using some pans and tilts  had in mind as well as a lot of free hand filming from myself and director Noah.      

Day 1 Liverpool

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When we arrived in Liverpool we didn't stop for much time in the Hostel, our plan was to get out and film as much graffiti and street art we could find or at least find some of the best Locations that we could then film in the next day or day after. We had looked at google maps for where to go and it wasn't long before we had found Mann street which as far as street art goes doesn't get much more covered. 

The most possitive aspect that came out of the first day is when shooting a small piece of art on a door a woman came out explaing to us that she knew who had done it and could get a contact for us for a possible interview with this person called Tomo. 

The first day was also when we would use the tracks and assemble them so that they go along side the certain piece of street art so we could do a tracking shot alongside them. Instantly the shot did look good but we had a problem in the way of the ground the pipes were lay on as it was very bumpy meaning smooth tracks were near to impossible. The jolts weren't as regular as we thought they were when looking back on the footage which meant however we could cut up some of the shots in editing before any of the jolts. We did get quick at setting them up and moving them to a different location which helped gain more tracking shots than we had hoped and in different locations. 

When back at the hostel we had a meeting to end the day, I backed up all the footage taken from my camera as well as the other camera that had been taking cut away shots onto my laptop and hardrive. We then as a group decided that when we have the interviews tomorrow that only the main four production people should be there which would be, meself as camera, Hannah as producer, Noah as director and Alex on sound. This is because it would give a chance for Oliver and Saul to go out and film a few more shots of the Graffiti and street art for the cut aways within the edit while we could film the interviews without them. Hannah then wrote down the questions everyone in the team thought we should ask to the people from Urban Canvas.